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works in Hai Zi, \It not only appears in a variety of new poetry anthology, also elected to the high school textbooks, are pop singer singing music for more by real estate companies for advertising and polls. After publication, comment, education, and multiple communication links of popular culture complex campaign, it has gradually condensate as a \Interestingly, 20 years, different times, different people read the acceptance of differences, so this poem is also like a little prism side, which reflects contemporary social and cultural changes

text / cold cream

1989 In the spring, Hai Zi Shanhaiguan lying on rails in the shock news of poetry, the lifetime only slightly in a small area with a reputation of the young poet’s work has thus been more concerned about peer and poetry lovers. As his friend the poet Luo Wo (the same year in early summer a large area owing cerebral hemorrhage sudden death), Nishikawa and others efforts, and because of its charm Verse, in later years, his poems in the poetry lovers to spread rapidly. 1991, \Creation of the whole picture. In 1993, his alma mater, Peking University, Hai Zi annual \is reading his lyrics, \

atmosphere of poetry of this period are still left with a strong atmosphere of the late 1980s, combined with the \Poetry lovers of their time (and often is, or is the growth potential of the poet) favorite poem is \no lack of reading is also more hypocritical show pull off and the \However, \Currently teaching at Peking University’s poet Jiang Tao, Tsinghua University in the early 1990s served as president of the Literary Society, he mentioned in an article in the spring of a year, he and some favorite poems of friends were walking to the botanical gardens, one of the drunk friend, actually go out when the door sat on the floor, reading aloud in front of tourists around this poem. This behavior was quite surprised tourists, it was actually mistaken for begging, in the cast around him change.

anecdote like this is just for the first two months before his death written in Hai Zi’s poems provides a footnote: in the poem, the poet is the heart of the conflict stems from the spirit of pride and worldly reality the tension between the hard, this tension, a lot of poetry in the early 1990s, is no stranger to fans there, so in this poem was consolation and sympathy.

1995, the Nishikawa series \In 2001, the reform of the Chinese teaching, the \

election papers high school textbooks, has always been to meet a number of criteria, in accordance with the Renjiao She secondary language room Mr. Liu Zhenfu the induction, they include at least the \and so on, \gave teachers and students in bringing the problem. On the one hand, that students are often difficult to understand this poem just under the surface of the contradictions implicit in the record of a secondary school teachers, students first read the response was \, an easy life \because of language education and also the function of education must take on life.

side to explain to students Haizi expressed in this poem in two \it may lead to renounce the happiness of life itself on the one hand have to remind them, \A secondary school teacher in Zhejiang author reading the poem \Teaching experience of this acceptance on the plight of the new version in 2004 Renjiao She curriculum standard high school textbooks, teaching materials required, \However, in many languages to choose high school textbooks or books in it still has a very high selection rate, such as Qian Liqun editor of the \Education Press, 2002), Xu Zhongyu editor of the \Appreciation of Modern Poetry \

while at the same time, the poem began to flow into areas of popular culture. From 1998 to open real estate market boom, this poem was frequently around the real estate company for its advertising, from Shanghai, Shenzhen to Haikou, Changsha, \was printed in Ocean View and the \Hai Zi poem these two phrases to popular as the elegant way of outlining his ideal fantasy life, in the late 1990s to accelerate the market economy brought about great changes in urban space, to be diverted into a slogan, incitement the people’s desire for livable. This kind of recurring \

to a new century, the growing popularity of the network just come across the face of a new generation born after the reform and opening up people’s acceptance of this poem has presented some interesting new changes, it appears more and more Internet forums and QQ in the signature file, or by \It is often cited as a workplace motivational motto. In the spring of this year has just published an inspirational book, \have any you want to have something, as long as you do know it is you want, and determine to know why you want it. Our dream should be clear enough, do not too greedy. as long as healthy, active efforts, I believe that can achieve. \Contains original poem in the pain and the psychological conflict is no longer the focus, as read, or been the object of collage into consumer materialism. Language simple and warm the surface to be stripped out of preference for sweet and is suitable for the appetite.

course, this is not the fate of this poem 20 years, all. As the poet ZangDi son died for the 20th anniversary of Ji Nianhai written an article said, he was \poets and readers in-depth peer-lasting reading. In March, at least 5 games over memorial reading activities held throughout the country, one of which was that of \materialistic age prompted a value on the spiritual care without compromise.

\travel around the world

From tomorrow, care of food and vegetables

I have a house towards the sea, with spring

from tomorrow, and every family communication < br>
told them I was happy happy

lightning

told me I will tell everyone

to every river and every mountain, a Name

warm strangers, and I wish you blessings

you have a brilliant future

wish you a lasting marriage

willing you to be happy in this world

I only wish to face the sea, with spring

poet grow old

2009, the distance of the last century the golden age of poetry that has been in the past 20 years. In the past 20 years, swept the Chinese culture, consumerism, changing the poetry of existence, have changed the destiny of the poet

correspondents / Chen Xiao

Nishikawa and Ouyang rivers meet on a chatted about the weather in the United States and Europe. They were just back from two places. A month ago, they participated in an international poetry gatherings, traveling together in India. Most modern Chinese poetry and the exchange of all relevant outside Chinese territory. Their poems published in top journals overseas, the British Times Literary Supplement, the Boston Review, Poetry, Italy headlines

international poetry world say they are the best poet. Poetry will be held at the Bookworm American poet Nishikawa said: You can come to my pleasure. \However, in addition to Nishikawa, China has these \

in China, Ouyang river just finished a stir by his ideas had to immediately stop the infringement lawsuit, because the overwhelming public speculation that he would like to take questions. Nishikawa was the public has repeatedly asked: How read your work? He is now writing poetry a few comments in the eyes of pure poetry while the poet was noted, however, pure poetry reader or a few, the public more as a business community of his heterogeneous tastes. Fujian,N60895, a TV interview he said, you said that if the public can understand.

Zou Jing of positions in the country. He is the first TV series to write the ratings gold script, National Theatre Opera Festival to promote the first ambassador, had a film company set up a studio for him, with his hand to writing services. March 20, 2009 night, he stroked a slightly messy hair, to the camera: I is not look particularly tired? He just returned from Chongqing to Beijing, a company asked him to talk about a script’s intentions. But in the interview started, he was still in the sea men newly published poetess poetry, written in clothes like the handles close to the kitchen to take to take salt pepper, but Zou Jing be seen from the profound meaning of that quiet but high-level, not artificial \

80′s from the last century, three of them are poets. Poetry carnival feast in the whole country, they have a lot of cross-points: In 1993, Zou Jing Huang pavilion of over 50 bars Sunday poetry, Nishikawa is the reciter cited. March 1989, when the river Ouyang received a telegram Nishikawa, a teahouse in Chengdu in the death of regret and sigh when Hai Zi, Zou Jing just received the \lyrics. \In 1989, he was a bit unusual to three times the River, traveled to Shanxi, Inner Mongolia, came to Beijing in April.

a month ago, his friend Hai Zi in Shanhaiguan suicide. Hai Zi poetry passion, pure, full of young Chinese sentiment, which the whole atmosphere of 80s reinforce each other, fit together. He committed suicide in the next 20 years, was repeatedly interpret as a short history of modern Chinese poetry most spectacular cultural events. However, in March 1989, the death of the Ouyang Hai Zi rivers, the only deepened his emotional farewell. From the end of 1988 he felt eager to bid farewell to what, and a boat from Hainan, Sichuan wrote back, \Carnival mood approaching the end of an era coming to an end. To the death of a dividing line Haizi 1989 to become the boundary marker poetry.

but death is just beginning. May 1989, his other friends – the poet Luo Yihe died due to cerebral hemorrhage.

9 18 is the birthday of Ouyang rivers. This day in 1990, he turned the phone book, see Zi, Luo Yihe phone, \His bike to the people of South Plaza, Chengdu, in the corner sat the evening. After returning home in two hours to write the date is considered his most important works – \One recurring verse: a place where no one left is not square / a place where no one falls no.

Ouyang said rivers, two major events of the 20th century, one revolution, one of modernity. \There Ouyang river poem his own shadow, he is not a mere bystander, in the poem is his own emotional experience. \br> death also hit a series of Chow Ching and Nishikawa. From 1989 to 1992, Zou Jing is going to own up to write poetry claustrophobic, no exchanges, no publication. Completely alone, no destination creation. This is the closest he believes he poems of the time, \He harvested the best from that life, 21 poems. But too strong and too emotional state of your breath also hurt the body. He said he now may be derived from this period heart disease.

Nishikawa change is life style. He said: \From 89 after the death so that he was \scattered fragments to form poetry. \Ouyang river has touched the market economy. For the upcoming new society growing up under the planned economy that would be disruptive Ouyang different rivers, but can not imagine the look of it. He wrote \Ouyang river, this is a \Are there ads, bankers, soap operas, car accelerator these commercial signs, but no Ouyang river itself.

that time he summed up the personal feeling: helpless frustration posed by the beauty of life, but not Petty’s complex, because there are complex experiences, feelings of sadness, and high sense of superiority has been mixed while displaying a middle-aged grief and despair.

Indeed, they shine in the first stage, the birth of a revolutionary tradition of the poet is gone.

1993, the river Ouyang received the poetry of Asia invited to the annual meeting and decided to go abroad. He finished in time \He was a bit sad to put their first trip to the States and the former Soviet Union, compared the poet Brodsky. At that time, first arrived in the United States, Brodsky wrote this poem: I am running the New York Avenue on the loss, holding only a coin.

Zou Jing of the 1993 is boiling, vigorous. Friend Jane Ning Huang pavilion opened 50 bar, began to make arrangements for Sunday poetry. The first poetry, pub about 400 people to squeeze in a lot of people can sit on the floor. Cui Jian, Tian, Jia Zhangke is crowded each other for warmth in the middle of poetry lovers. Because of poetry, good voice, would be funny but does not rob theater, the attached Zou Jing Huang presided over the 10th pavilion 50 of the poetry. He said he likes the poet Nishikawa, feel that \br>
\Mid-90s, began a national poetry writing and folk writing on intellectual quarrel. Nishikawa in 1986 proposed the concept of intellectual writing, but he hated this as a partisan banner. \The quarrel to the end of the 70s 80s 90s most of the time, was held hostage by the late 90s. \wrote the poem \

1995, the Zou Jing received the first script of \

money is also a poem

Ouyang home rivers in a 33-story building’s top floor, double the big house, it is his talent in the business community in the return. From the terrace overlooking the go is in March 2009 the North Fourth Ring Road in Beijing, new buildings everywhere, busy.

1997, the Au rivers return, China has entered the consumer era. In a variety of new financial products, leveraging the credit instruments, the city’s rapid rich people. All this corresponds to a market economy Ouyang rivers of imagination: \the money has been spent / spend again, it will become more than in the bank, / is also more reliable, but no matter how much money you / the number had again become a false (1993, \Fiction Notes \years show planners, the first opera tickets do Zhang Yimou, \sold to Japan, about 700,000 yen for each site.

major American poet Wallace Stevens wrote: Money is a kind of poetry. From this perspective, Ouyang rivers still live a poetic life. He has an audio-visual room of 100 square meters, wide like a wall projection, standing tall like pillars on both sides of the same sound, \a connection cable, gold, 8000 U.S. dollars. like listening to classical music, he used to meet the standards of most luxury-loving.

but he has not published a long poem, from 1997 to date, published poetry less than 10.

social norms is the speed of business, entertainment,. these and Ouyang rivers on the understanding of poetry is the conflict, and even writing style is an obstacle. Ouyang river was \\It corresponds to the speed of thought, but the computer can not correspond to the speed of the speed of writing. \, form the corresponding three and wonderful reality. Ouyang rivers can not be experienced after 1997, the details of changes, can not tell, \. It has become the pulse of life, change is the only constant. \\the treasury, the decline of the dynasty, the last king himself was imprisoned in the nearby octagonal palace, a jewel of refraction by watching the Taj Mahal, depression ended.

\Can not find the corresponding objects. Temple of the corresponding ghosts, corresponding to the political Palace, Summer Palace, the corresponding comfort his old age, what corresponds to the Taj Mahal? Poets gone, and one ant went to the same. \Zou Jing said that 10 years of poetry gave him too much, name, Lee, imagination

Since 1995, Zou and tranquility in the broadest audience in the public interest to accept the temper. multicast \Incognito Travel \predators directly to his home carrying a bag of cash will play; \Lyrics, \\But Zou Jing is the most proud of his writer’s dialogue. poetic language can be regarded as his greatest contribution to popular culture. he was talking about his upcoming performance at the National Theatre Grand Opera, \. \leadership, stage art, \\\\It is not a plot, character conflict, drama, a drama of inner conflict, doomed, and it will make people feel a little look can not be taken lightly, it also determined that there is no \\co-founder of the drama society, founded in late 2008, aims to introduce a non-commercial purposes, with certain depth level of serious drama and art. Tsou and tranquility within the community also expected to have at least once a month, poetry readings, \Like the year as No. 50 in the yellow pavilion. \\willing to think about writing the \\\\of the prologue. Since then, more and more poets began to face \Newsweek: Please talk about this poem 20 years the flow. from poetry, in these 20 years with nothing new to try and change? poems express the theme and language of presentation and before the 1989 phase What changes than have?

Tang Xiaodu: After 1989, from the surface, the poetry in the social and cultural life in the proportion accounted for, such as newspapers and magazines in the space, with the amount of the number of readers, the way in the fall . poets are concerned, often as a public event, such as Gu Cheng Murder. 90 popular culture as a great power with the rapid rise of the media, some of the poet to arouse attention, often through the media star of the way to create, rather than I established a strong work comes from. well into the audience’s perspective rarely works, it touches on some of the events aim at constantly arrests the eye, what \subject to change.

from the author’s point of view, or from the perspective of the quality of work should be said that improved than in the past. a group of budding poets in the 80′s, 20 years to write their most important work. for example 80 to write \In the 90′s has undergone significant changes, and quickly mature. Ouyang rivers, is more complicated, but almost. his \Poetics of the most important harvest. Wang Xiaoni, Wang Jiaxin early debut in the early 80s had entered the 90′s was the more solid the more since. The same is true at the firm, the two heads of his poems, including the \90. other poet I will not list them one. when the whole society’s attention to poetry at low tide, in a downturn, these people insist on living in their poetry stand, found a more effective way to deal with the complicated historical context, face the challenge of difficult work to write the more weight, in fact, has become the backbone of contemporary poetry.

China News Weekly: In 1997 you wrote a \but normal. Now 12 years later, you stick to your original point of view you?

Tang Xiaodu: the article is to break some stereotypes. I am actually not interested in such dispute. poetry has its fate, but fate was not determined unilaterally by the poem. poet can determine their own writing, but poetry in the position of social and cultural life, to a greater extent are the times given. If just touch to intense social movements, war, civil strife, it is time to poetry to show their talents, because poetry direct, fast, strong, will play current immediate outlet, the role of analgesic or blasting, of course, much can not say that poetry is necessarily good Poetry. 80 crisis and the coexistence of life and social activity is surging, but a lot of the field is turned off, the result many young people choose Poetry, vent their life energy into a more convenient way, or even result in a person’s fate change. but this is not normal.

in the more stable, economic and commercial center of the societies, there is a way the poet is very marginal. As far as I know, for example in France, a relatively good poet, he published a volume of poetry, basically to be their own expense, and generally also printed 500-1000. poetry only does what she does, can do, only she can influence the scope of an impact. This effect may not be direct, such as the Pioneer 80′s poetry, the profound impact of the vanguard painting, drama, film. in more cases, the poems have an effect way is to moisten things silently style .

good poetry is always in the relatively quiet contemplation in a continuous production, but society is not too stable, too quiet. commercialism and entertainment to death of course, poetry is unfavorable. sometimes you even was more terrible than totalitarianism. centralization will stir up resistance, but also targeted, to experience the passion. but the face of commercialism and entertainment doctrine you can not resist, against who? the child a soft Huhu hippie smile \The array \illusion and fantasy. \is the inner world to the problem, personality problems, these problems can be traced back farther.

the past 30 years China has been in the history of dramatic changes, we leap two or three times not so much as it is two or three of civilization, it can be said to exist a variety of tangled debris of civilization. dramatic changes to our spiritual, cultural, has been in chaos, keep cooked cooked rice, no time to deep questioning, and understand the significance of many changes , often is avoided, giving up a lot. while our way of life have taken place almost dramatic changes. from the spirit and the ideology of scarcity of material specimens type double existence, and now live in surrounded by consumerism, two very different experience of life as if the two slopes of a mountain, but not separated by an intermediate gap, the gap may be too deep, so that we can not see or do not want to see.

for power, violence, including violence and public violence goods, intellectuals, artists should have sufficient sensitivity, insight and do not compromise the critical spirit, if not, they will collectively fall into the illusion of utopia. but thought the 50′s transformation to a variety of purge was continuing movement, especially after the \Why the Enlightenment’s will once again become a theme of the times? Why Pioneer Poetry also made themselves and return back to poetry itself? It is against this background. But the fact that we still suffer the consequences of its history.

business Social 90 seems to fall from the sky too fast, too suddenly, in fact, late 80′s, the change has already begun. For example, the 1986 \vitality, but also vaguely suggests the advent of commercial society. \Introduction and works, from another angle, it can also be a complete business marketing model, although the organizers, I have no commercial purposes. I do not know the nature of such a public show whether the language of carnival was caused to some of the poets illusion or hallucination: Poetry can be such a play. poetry is fundamentally the work of the individual, not collective. business operations and alien to the spirit of poetry.

China News Weekly: Some 80 years of fame poet said, 80 is just a performance period, is really important is an incubation period of the sixties and seventies. the last 20 years, poetry fade the public view, will not be a new incubation period? the latency of what they provide energy for the poem?

Tang Xiaodu: rather, writers themselves complex in an unprecedented historical context, including the face of the pressure of popular culture, can learn, store and release enough energy? Chinese poetry the popular culture of oppression is not the first time, the Yan’an period, and 50′s are met, but the former are top-down, is the policy, from the practical effect, is eliminated by the mass culture in the name of the elite culture, and now spontaneous, everyday sense, and together with the commercialism of popular culture not the same thing. we can put the touch on further, larger, thus said the whole poem and the relationship between modern civilization. In this regard, I am in favor of an Indian poet to say, he said, poetry should be of modern civilization with skin bone digest. Another American poet once said about modern American poetry, it should have a sufficiently robust stomach, to digest the moon at the same time, oil and steel. we will have such appetite you?

China News Weekly: 80 years, if that be considered a starting point for the Chinese poetry, then, do you think that 20 years after 89 years, what kind of poetry is facing a starting point, or that it has been brewing, or to establish a starting point for what it?

Tang Xiaodu: 80 years from the last century to the present 20 years, modern poetry has passed a number of poets, more importantly, their work, in China really took root. with the intellectuals, the Chinese poet is easily manipulated by outside forces, whether from political or commercial, in which both cases the poems are very easy to become a tool. so-called \Accordingly, continued to explore poetry and reconstruction of the possible relationship between language and things, especially with unknown relationship.

roots also means that each light generation to generation. This is to say to the more more than enough mature poets writing in silence, but insisted that they rarely or never was the mass media attention, even within the few colleagues to know more. These people have their own work, have their own place of exchange, do not expect through poetry to do. poetry is a form of life on their way of life. their strength is relatively strong, which is very important to the further development of poetry.